Shades Of Heavenly Death - Fates Warning - No Exit (CD, Album)

Aresti has kept a very low profile throughout the years since his departure. During this time, Aresti began experimenting with other genres such as industrial music and electronic. During the early s, Aresti began recording and producing material for a band he would create under a program called audio computing. His creation would be Dragonspoon , which he released as an album in , the instruments in the album are all by the programming software except the guitar parts.

Since , Aresti came back to Fates Warning but as a touring guitarist only, not an official member of the band. How much more can I take? And how much more, 'till I break? Rain will pour again today Never-ending daze cascades Torn inside is there a way To be freed before I fade How much longer can I hold? I'll live no longer in this cold!

Close your eyes, what do you see Dreams in rhyme with reality Or life to die in black scenery Empty shells and what could be. How much longer can I hold? In this cold! I'll live no longer in this, this cold Oh! Jim Matheos. Fates Warning. Anarchy Divine. Frank Aresti.

Silent Cries. In a Word. Spence D; T. Ed Still Life Live in Athens. Chasing Time. Hidden categories: Webarchive template wayback links Articles with short description Short description is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers. Digging: Arctic Rain - The One. Rush's Chronicles was the first CD I ever bought. I was a little late to the game as I didn't have much money at that time haha. Spun my vinyls and cassettes for quite a while after CD's came out.

It had the singer from Watchtower Alan Tecchio and the guitar player from Hades doing bottom heavy alt metal. Like a doomy version of Soundgarden. Thrash right? Listen to "Control and Resistance".

Jim Matheos is one of the most underrated guitar players in the history of rock. He is creative and his quality of songwriting is all there. The focus of the album is the epic song The Ivory Gates of Dreams, that last more than 21 minutes and it's an entertaining piece of wonderful music, full with energy, power, melody and time signature changes. While the quality of sound is not the best, is quite good enough to enjoy.

If you like metal or prog metal, you cannot pass this by. Give it a try. And for those who don't know yet this band, at least during this era, they were like a raw version of Dream Theater, a little less bussy in the technique department and more focus on the emotional-dramatic side of things.

Music with energy and sense is what we need more often, and this kind of songwriting is not very common to find. Please, don't let this chance to pass you. This is an album to hear and enjoy. No Exit was the first Fates Warning album featuring singer Ray Alder and thus in many ways the start of a whole new era for the band - a more progressive era.

Think Judas Priest circa Stained Class, but more progressive and without Priest's distinctive identity. Alder does indeed sound a bit like Rob Halford but again without Halford's distinctive identity.

In addition to Judas Priest, one can also detect a Rush influence. Like early Queensryche, the progressive ambitions of Fates Warning were not immediately apparent. The first half of this album consists of shorter songs that are quite conventional Metal songs not far away from the style of Queensryche. It is on the second side of the album that the progressive ambitions of the band become clear. The Ivory Gates Of Dreams is a 22 minute, eight-part epic with a nice acoustic guitar intro and a multitude of riffs.

It toke many listens for me to sink in, but now I like it a lot. It is also featured on the very good live album Still Life. A good start of Fates Warning as we know it, but it would get better on subsequent albums. All doubts are dispelled, however, with the concluding side-long epic The Ivory Gate of Dreams, in which the band tackle the most complex and challenging progressive metal they'd concocted to date and come up with a true classic of the genre, a piece to rival Rush's in its importance to prog metal.

The first side of the album is three and a half stars, the second is five, so let's say four and a half as a fair compromise.

Feb 16,  · Band: Fates Warning Tracklist: Side A 1. No Exit 2. Anarchy Divine 3. Silent Cries 4. In A Word 5. Shades Of Heavenly Death Side B 6. The Ivory Gate .

8 thoughts on “Shades Of Heavenly Death - Fates Warning - No Exit (CD, Album)

  1. View credits, reviews, tracks and shop for the CD release of No Exit on Discogs. Label: Metal Blade Records - • Format: CD Album, Reissue • Country: Germany • Genre: Rock • Style: Progressive Metal/5(3).
  2. Fates Warning ‎– No Exit. Label: Metal Blade Records ‎– Format: CD, Album, Reissue. Country: US. Released: 03 Nov /5(6).
  3. Fates Warning ‎– No Exit. Label: Roadrunner Records ‎– RR 2. Format: CD, Album. Country: Europe. Released: 30 Mar /5(9).
  4. Released prior to the March 23rd regular release date. First album to feature Ray Alder on vocals. Tracks B1 & B8 are instrumentals. Recorded at Carriage House, CT, Oct-Dec /5(1).
  5. Shades Of Heavenly Death: B1: The Ivory Gate Of Dreams: Notes Fates Warning: No Exit ‎ (CD, Album, RM + DVD-V + RE, Sli) Metal Blade Records: Germany: Sell This Version: Recommendations Reviews Add Review [r] Release. Edit Release5/5(3).
  6. "No Exit" represents a first album for Ray alder and the fourth in total for the band; and it makes for quite an entrance in this notably heavy and classical Fates Warning incubus. It also displays some of the first progressive signs of transition from classic metal into small tappings of the progressive genre/5(57).
  7. No Exit is the fourth studio album by progressive metal band Fates Warning, released in through Metal Blade Records. It is the first Fates Warning album to feature current singer Ray Alder, who replaced John Arch after the release of Awaken the Guardian, as well as the last to feature drummer Steve Zimmerman, who left the band just prior to the recording of their subsequent album Perfect .
  8. Usually regarded as the finest release from Fates Warning's early years, when their progressive leanings were tempered with no small amount of classic metal riffing, No Exit is a typically difficult album to come to grips with. As was often the case on prior releases, the band has a hard time reconciling its ruthless experimentation with the need to construct coherent songs, leading to any.

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