It would be nice if the whole, "if you build it, they will come" thing worked with music, but alas, you've got to generate a lot of promotion to let the world know that your album is out there. You will need to make some decision about how you're going to get that job done. You can hire various PR companies or handle things yourself. That decision comes down to your budget and what you think you can realistically achieve. If you are promoting your album yourself, decide in advance what your promotion targets are.
Your job will be most manageable if you focus on a region plus any markets where you'll be playing shows. Fortunately, in these modern times, there's no particular need for you to manufacture hard copies of your album and start courting distributors to place it in record stores.
Search for:. You only have one chance to release an album — so do it right. Jamie I started my career planning educational workshops with some of North America's top artist managers, then moved on to manage commercial radio and internationally touring artists independently. I'm addicted to learning and love sharing what I learn with you here. Related Articles. Responses Cancel reply You must be logged in to post a comment.
The next album, Purple Rain , the first of three credited to Prince and The Revolution , was the soundtrack to his film-debut of the same name. In a runaway phenomenon of success, it sold over 22 million copies around the world and at one point, Prince had the number-one song, album, and film in the United States, a feat matching The Beatles' achievement with A Hard Day's Night. Soon tiring of the project's enormous success and consequent over-exposure, he and the band recorded throughout touring and planned a change of image and musical direction by means of a quick follow-up.
It inaugurated his own Paisley Park record label, and eschewing Purple Rain' s rock and metal elements, headed off into psychedelic influences and instrumentation. Prince and The Revolution continued multi-platinum success with the soundtrack to his second movie Under the Cherry Moon , 's Parade.
It showed further expansion of his musical palette, in ongoing collaboration with band members Wendy Melvoin , Lisa Coleman and composer Clare Fischer. The film and album brought into play Broadway -style orchestration and French-influenced chanson arrangements but, like its predecessors, it also included tracks written, performed and produced entirely solo by Prince.
Following disputes about musical direction and a new style of presentation with an expanded 'soul-revue' flavor, Prince disbanded The Revolution at the end of the tour. He resumed a solo career with 's Sign o' the Times , an experimental double album, which topped several critic end-of-year polls and was Grammy nominated for Album of the Year.
The album's projected tour would largely be cancelled as Prince concentrated on developing the acclaimed concert film of the same name, filming in Europe and at his new Paisley Park facility in Chanhassen.
An untitled follow-up eventually known as The Black Album , promotional copies of which were distributed before it was cancelled, became the most bootlegged album in the history of the music business to date. After a period in which he'd seemed more accessible and grounded, it also restored earlier enigma. During its subsequent tour, under some financial pressure, he suddenly became involved with production for a highly anticipated forthcoming Warner Bros.
His Batman album, inspired by the movie, ended his decade by selling 11 million copies worldwide as one of two soundtracks to Batman , the biggest-grossing movie in cinema history to that date. Prince entered the s with the soundtrack to his fourth movie, Graffiti Bridge.
However, after his follow-up, the Love Symbol Album , only scraped the five million copies he needed to advantage himself under the deal, he began to become dissatisfied with his record company, fearing they hadn't adequately promoted it, perhaps to disadvantage his side of the deal.
Warner countered with requests for him to slow down on delivery of new projects and extend their term of promotion, a request denied by Prince. It was the beginning of a dispute which mushroomed rapidly. By , Prince had changed his name to an un-pronounceable symbol in order to escape the terms of his contract as the Warner-owned product, 'Prince'. He began demanding faster release by Warner of more projects than they were prepared to promote. In a growing effort to eject himself from his contract, his demands increased further to include ownership of his master recordings and he notoriously began to refer to himself as a 'Slave' to the company, wearing this word on his face in public and in negotiation with the label with resultant public embarrassment for both Warner's public image and his own.
He also began to pursue erratic and unconventional promotional methods for his projects, whether under aliases or as part of projects by his band, now being planned under the auspices of a new label, NPG Records which Prince increasingly operated as if an independent venture using Warner as distributor. The one-off experiment, his single "The Most Beautiful Girl in the World", might have demonstrated that he needed the clout of Warner Bros.
To this end, Warner released several 'Prince' albums in quick succession, including Come and the first official release of his funk 'bootleg' The Black Album in Pet Fall Savings. Premium Pet Food. Pet Smart Tech. New Dog Supplies Buying Guide. New Cat Supplies Buying Guide. Shop All Fashion. Fall Trending. Cloth Face Masks.
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