PDF scanned by W. An die Musik, D. Naxos Javascript not enabled. Creative Commons Attribution-NonCommercial 4. Creative Commons Attribution-ShareAlike 4. Work Title An die Musik Alt ernative. Lieder ; Songs ; For voice, piano ; For voices with keyboard ; Scores featuring the voice ; Scores featuring the piano ; German language ; For voice, orchestra arr ; For voices with orchestra arr ; Scores featuring the voice arr ; Scores featuring the orchestra arr ; For mixed chorus, piano arr ; Scores featuring mixed chorus arr ; Scores featuring the piano arr ; For chorus with keyboard arr ; For voice, female chorus, piano arr ; For voices and chorus with keyboard arr ; Scores featuring the baritone voice arr ; Scores featuring female chorus arr ; For voice, guitar arr ; For voices with solo instruments arr ; Scores featuring the guitar arr ; For piano arr ; For 1 player arr.

Contents 1 Performances 1. Javascript is required for this feature. The graphic scores for the compositions are included in the sleeve. This is highly abstract music made of turntable sounds no vinyl quotes , closer to the visual arts some figures are almost palpable than music.

The album comes with a stereo CD and a 4. Email This BlogThis! No comments:. Homepage of Frank Schwinn, music producer, guitarist and singer from Austria, with info, gallery, videos and more Similarity:. See zanlyons. Tagged as: Zan Lyons , aug , jul. See audiotong. See valeot. See omsnma. See katepple. See elkapitan. See simultan. See kolonovits. See knotland. Tagged as: knotland. See trevor. Tagged as: trevor ucsd. See roving. Tagged as: roving. See miguelgigante. Tagged as: Gigante , bass , films.

See porgy. Tagged as: Austria , Bess , Jam Session. See herbertweixelbaum. Tagged as: Game Boy music , duo , duo See bureauit. Tagged as: bureauit. See dynakit. Back to top. Get to Know Us. Amazon Music Stream millions of songs. Audible Download Audiobooks. DPReview Digital Photography. Shopbop Designer Fashion Brands. He helps me realize where the words come from: someplace underneath and prior to their birth in the throat.

I write for Nerve Theory because ideas are conceptual and sensual and consensual. The Disconnection Machine and Remote Possibilities pointed out the losses about to be incurred through social media—emotional deficits now more apparent in an era dominated by Facebook, YouTube, and Twitter. The media between us thicken and even pass for emotional content.

Networks have impedance and resistance, and this distancing effect is concrete and very tangible. We are drawn to networks and communication devices by our desire to be connected. Ironically, this compounds our disconnection with the natural world: with the flesh we still feel and smell and sense in our brain stems—the strange physicality of our awkward and somewhat useless bodies.

These people were asked how they felt about being scanned by face-recognition software through video surveillance cameras. Video surveillance with face-recognition software had been installed to protect this national monument from potential terrorist acts.

The people interviewed said they were happy to be scanned because it made them feel more secure. In other words, was the swing year where privacy as a concept was exchanged for the security of complete social integration safety in numbers and an increasing willingness to disclose personal information for the benefit of the whole society.

Privacy is important because it allows us to pretend we are something, anything, we are not. It gives us the space we need to practice things we would like to be good at someday. Privacy makes us secure by letting us know we are very different than people think we are. Thinking of a story that would stay vital for the year we decided to go with the bird flu story, the impending threat of the bird flu pandemic, which would permit us to explore the biological and vast cultural dimensions of a potential global pandemic.

Of particular interest was the spread of the potential wrath of this deadly virus in the media—in itself a form of government-initiated information terrorism—for such fear mongering is useful in propping up the perceived value of governments as public protectors.

There were plenty of scary things to think and write about. I would write three or four texts at a time and then exchange them with Bernhard by e-mail. We would decide which ones to pursue and I would then read the texts to Bernhard via Skype audio.

He would record my readings and contextualize my voice in his music and we would listen together to our compositions and revise and deliver the finished recordings for the weekly Kunstradio broadcast. We completely terrorized a mostly college-aged audience to the point that they were washing their hands until they bled in the washrooms of the Palace Theater in Hamilton immediately after our performance. The H5N1 series has resulted in five short Nerve Theory video works that have been shown extensively throughout North America.

The H5N1 virus did not mutate into a devastating global influenza pandemic in —, nor has it exploded into a pandemic influenza to date thankfully noted, July

3 CLEFS The clef, a symbol that sits at the leftmost side of the staff, specifies which lines and spaces belong to which notes. In a sense, the clef calibrates or orients the staff to specific notes. The three most common clefs are: The Treble clef for high range notes The Bass clef for low range notes The Alto clef for middle range notes The Treble clef (also called the G Clef because it.